Brazil’s First Art Cannibal: Tarsila do Amaral
网页2017年12月1日 · The paintings of Brazilian artist Tarsila do Amaral (1886-1973)—simply known as Tarsila—and the theory of Anthropophagy, or the philosophy of “cultural cannibalism,” introduced in 1928 by Tarsila’s first husband, Brazilian poet Oswald de Andrade (1890-1954), were for me a major mystery and an obsession for years.
Anthropophagic movement - Wikipedia
网页The Manifesto Antropófago (or Manifesto Antropofágico) was a statement published in 1928 by the Brazilian poet and polemicist Oswald de Andrade, an important figure in the cultural movement of Brazilian modernism. It was inspired by Abaporu, a painting by Tarsila do Amaral, a modernist artist and Oswald's wife.
Anthropophagy by Tarsila do Amaral - Obelisk Art History
网页Anthropophagy is an Early Modernist Oil on Canvas Painting created by Tarsila do Amaral in 1929. It lives at the Pinacoteca do Estado de São Paulo in Brazil. The image is © Tarsila do Amaral Licenciamentos, and used according to Educational.
How Tarsila do Amaral Reinvented Brazilian Identity with Modern …
网页2018年4月11日 · Tarsila, and the ideas of anthropophagy, handed down some creative tools for these artists who, living under a dictatorship, yet again felt on the periphery and were disconnected from their...
Tarsila the Iconic: A conversation on Brazil's most celebrated painter ...
网页2019年4月30日 · This one depicts a fusion of the figures in “A Negra” and “Abaporu,” in the bright yellow, green and blue of the Brazilian flag. Stamped on the cover of the catalog of her US shows, experts consider “Antropofagia” Tarsila’s most important painting of the 1920s, her crowning phase. Painter Tarsila do Amaral, 1920s, Paris.
Smarthistory – Tarsila do Amaral, Abaporú
网页Sixteenth- and seventeenth-century artists such as Theodor de Bry and Albert Eckhout explored the subject of anthropophagy in fantastical prints and paintings that depicted Indigenous Brazilians consuming or carrying severed limbs.
Tarsila do Amaral. Anthropophagy. 1929 | MoMA
网页Audio from Tarsila do Amaral: Inventing Modern Art in Brazil. Explore Tarsila's work from the 1920s, when she navigated the art worlds of both São Paulo and Paris, and her critical role in the emergence of modernism in Brazil.
Tarsila do Amaral - The Metropolitan Museum of Art
网页The manifesto employed the concept of anthropophagy as a metaphor and argued for artists to “cannibalize” the diverse cultural traditions that surrounded them in modern Brazil; after a process of “digestion,” or synthesis, this would yield …
Tarsila do Amaral: the mother of Brazilian modernism
网页2018年2月13日 · In her subsequent Antropofagia (Anthropophagy) of 1929, Tarsila delves further into the sexual and political dynamics of the metaphor in the sensitive interplay of two abstracted bodies, a male and female, placed in a stylised tropical landscape illuminated by a lemon-slice sun.
The Woman Behind Brazil’s Modern Art Movement - The Cut
网页2018年2月12日 · As outlined in the Anthropophagic Manifesto, written by Tarsila’s husband Oswald de Andrade, it advocated for “cultural cannibalism,” a style of modern artwork that symbolically “consumed” and transformed the cultural standards of European art to create a new style that was distinctly Brazilian.
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