New York Classical Review15 小时
Uchida and Marlboro Festival players offer a transcendent evening of chamber music
The music was from both present and past, with concise selections from György Kurtág preceding Beethoven’s E-flat Major Piano ...
New York Classical Review17 小时
A new cast still finding its footing in Met’s “Tosca”
With Tilman Michael, the Met’s new chorus master, this fine ensemble seems to be in very capable hands. Overenthusiasm aside, Nézet-Séguin knows his way around this score. Balance was never an issue, ...
New York Classical Review2 天
Pianist Fujita proves an introspective yet compelling presence in Carnegie recital
What followed intermission was in effect a new program, of Classical mien, featuring sets of variations. This genre can seem ...
New York Classical Review6 天
A mixed Mozart evening from Vengerov, Orpheus Chamber Orchestra
The traversal of Mozart’s complete works for violin and orchestra with Maxim Vengerov and the Orpheus Chamber Orchestra ...
New York Classical Review3 天
The Gesualdo Six offer a moving musical experience with “Secret Byrd”
The Gesualdo Six performed a program titled “Secret Byrd” Saturday night at the Cathedral Church of St. John the Divine. The ...
New York Classical Review12 天
Mälkki makes both the new and familiar fresh and memorable with the Philharmonic
For a piece new to the ears—there’s no recording as yet—Mälkki impressed as having a confident understanding of the work, and ...
New York Classical Review13 天
Hewitt’s style proves better suited to Baroque than Brahms at 92NY
Angela Hewitt and Johannes Brahms are both antiquarians at heart, immersing themselves in very old music—she to perform it in ...
New York Classical Review10 天
Dessoff Choirs marks a century with an expressive Brahms Requiem
The performance Saturday afternoon at Town Hall by the Dessoff Choirs and Orchestra was more than just a concert. Certainly, ...
New York Classical Review5 天
Persson, Wolfe premiere provide the highlights with Rouvali, Philharmonic
Miah Persson performed Richard Strauss’s Four Last Songs with conductor Santtu-Matias Rouvali and the New York Philharmonic ...
New York Classical Review14 天
In New York debut, pianist Yukine Kuroki displays an uncommon touch
One wouldn’t say Yukine Kuroki, who gave her New York debut recital Tuesday in Carnegie’s Weill Recital Hall as first-prize ...
New York Classical Review1 个月
Despite distractions, Tepfer and Trio Fadolin find the Feldman groove
Morton Feldman’s Piano, Violin, Viola, Cello. was performed by Dan Tepfer and Trio Fadolin Wednesday night at the New York Studio School. The New York Studio School, an important training center for ...