Contemporary artists have extended the vocabulary of the sublime by looking back to earlier traditions and by engaging with aspects of modern society. They have located the sublime in not only the ...
This is one of four reports produced by researchers in the project Reshaping the Collectible: When Artworks Live in the Museum. Each offers a perspective from one of four practices that are changing ...
In 1886 the philosopher Friedrich Nietzsche declared the sublime out of date. A number of artists of early and mid-twentieth century continued to engage with concepts of the sublime, though often in ...
Robert Bevan and Stanislawa de Karlowska settle at 14 Adamson Road in the Swiss Cottage area of London. Albert Rutherston contributes two pictures to the New English Art Club and meets Walter Sickert ...
Suspended, collapsed, stacked, wrapped or folded, the works of Phyllida Barlow spring from an interrogation of some of the most fundamental aspects of sculpture: its physical attributes and its ...
Instead of making art that looked like people or things, Hepworth began to make sculptures and drawings using abstract shapes. She was inspired by nature and the world around her. She remembered ...
Graffiti art has its origins in 1970s New York, when young people began to use spray paint and other materials to create images on buildings and on the sides of subway trains. Such graffiti can range ...
Patrick Heron is a British painter and art critic. He was born in Yorkshire but moved to Cornwall when he was five. Cornwall was a very important place to him. He spent most of his life there. Heron’s ...
Mildred, Tate’s art-loving cat, wants you to help her find 6 images of artworks placed around the inner quay of the Royal Albert Dock. Collect your free Art Trail booklet from Tate Liverpool + RIBA ...
This series of large-scale publications represent ambitious, in-depth research into key areas of interest. Each publication throws new light onto questions of broad significance. Resulting from major ...