Ella Fitzgerald Live - Cotton Tail (Scat Singing) - YouTube
WEBApril 25, 1966.With Mitchell Ayres' Orchestra."Cotton Tail" is a 1940 composition by Duke Ellington.
Ella Fitzgerald- "How High The Moon/Epic scat" LIVE 1966 ... - YouTube
WEBJul 18, 2018 · Reelin’ In The Years Productions has available for licensing over 20,000 hours of music footage spanning 90 years. Additionally, we have more than 5,000 of h...
Scat, singing of nonsense words, performance by Ella Fitzgerald …
WEBScat singing is a kind of vocal improvisation with wordless vocables, and nonsense syllables...more.
Ella Fitzgerald's Signature Singing Style, Explained By Jazzmeia Horn - NPR
WEBSep 5, 2019 · Ella Fitzgerald's talent for vocal improvisation made her one of the most important singers of all time. Watch Jazzmeia Horn explain what scat singing is and demonstrate Fitzgerald's...
Scat singing - Wikipedia
WEBElla Fitzgerald is considered to be one of the greatest scat singers in jazz history [ 1 ]
Ella Fitzgerald's Unforgettable Berlin Performance : NPR
WEBSep 6, 2019 · Considered to be one of the best scat solos ever recorded, it demonstrates her sharp vocal control, perfect intonation and rhythmic acumen. Besides its musical excellence, the performance also...
“We’re singing it because you ask for it”: Ella Fitzgerald, Scatting ...
WEBApr 7, 2015 · Taking nearly seven minutes, but a much faster tempo, Fitzgerald sings with an almost frightening virtuosity. As she transitions into the scatting section, her voice becomes brassy and her tone almost exasperated on the words:
WEBThe new Harvard Dictionary of Music defines scat singing as “A jazz solo of vocal nonsense syllables... Scat came to be represented by virtuosic interpretations (by, e.g. Ella Fitzgerald) of rapid bebop instrumental improvisation.” Carr, Fairweather, and Priestly, Jazz: The Rough Guide, 887.
What is Scat Singing? 10 of the Best Scat Solos in Jazz Music
WEBMar 4, 2024 · Ella Fitzgerald’s snappy jazz scat singing is reminiscent of the saxophones and trumpets of the swing and big band era during which she came to prominence. Sarah Vaughan’s scatting, in the other hand, is rooted in the bebop tradition; no surprise, given her early collaborations with Clifford Brown and Dizzy Gillespie.
How scat singing became an expressive language in its own right
WEBElla Fitzgerald, for example, makes playful reference to Armstrong’s 1955 hit record of “Mack the Knife” in her 1960 rendition of the song, when she breaks in to some decidedly gravelly ...
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